Snapchat stock took a hit. But, how does the primary target audience feel about the future of Snapchat?
One woman’s courage to make her voice known changed the tracks of history.
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“Beautiful Boy” is an unexpecting story of fatherly love.
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When technology seems to be taking jobs from people, it is important to understand the human comparative advantage.
The new frontier of tech startups in America are being hindered by government regulations. Hiring foreign talent is extremely difficult for these companies.
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Travel around the world, one cup of coffee at a time.
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The fashion industry is not what is once was. Price-friendly, trendy retailing are now the hype. But, does fast fashion lower quality, decrease individuality and negatively impact the environment?
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Students at The King’s College get the chance to explore the world and share a little history.
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Whether Dylan was part of any protest movement can be debated. But it’s no question how influential music has been in social movements over the last 50 years.
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Israeli Prime Minister Benjamin Netanyahu arrived to Paris last Tuesday, though some were not happy to see the symbolic visit.
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The 90s is back and alive. The fashion saavy are rocking the baggy jeans and mini skirts once more.
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There’s a man in an old black-and-white photograph, looking right in the eye of the camera, wearing glasses only found in western Brooklyn, and surrounded by trees in the forest. This is hipster St. Pope John Paul II, an icon for “cool” Catholics.
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These are seven “VeggieTales” songs which economists from a wide variety of economic schools would approve of.
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Millennials are entering the workforce, tech-related jobs are at a peak, and the standard for business dress is changing—it is more casual than ever. The shift makes for new sets of rules across the American workplace, especially for women.
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A film that focuses on honest human connection
A picturesque experience on screen
You can now ditch the weekend trip to the Pocono’s and connect with nature at the Metropolitan Museum of Art’s exhibit "Public, Parks, Private Gardens: Paris to Provence."
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I walk through the wide-framed, grey walls of Gallery 800, the Rodin Gallery, at the Metropolitan Museum of Art. Detailed forms of human statues, made of various bronze and clay materials, are riddled throughout. But in the hallway right outside the gallery my eyes stop, mesmerized. A teenage woman with a face of piercing dedication and purity stands in a lonely looking garden. The plaque reads: Bastien-Lepage of Lorraine’s “Joan of Arc.”
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