After three magical, borderline surreal weeks, the New York Film Festival has come to an end. Opening its doors to Joel Coen’s Shakespeare adaptation on Sept. 24 and screening films every day up until this past Sunday, the Festival has more than upheld its reputation of boasting a curation of films that are the most daring, nonconforming, thought-provoking, transgressive if not the absolute best films the year has to offer.

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